lunes, 14 de septiembre de 2009
Arrested Development
In an attempt to liberate his child from the all too well-known shackles of a high-expecting father (as well as a personal act of rebellion against his own father), Jason Bateman, a typical business-oriented man, watches in warm satisfaction as his son, a chubby-cheeked, pre-Juno Michael Cera, burns down the family-owned banana shack. The next morning, an orange-clad father of Bateman, imprisonated for defrauding investors and using his company as a bank for his family's personal expenses, looks his son straight in the eye and says with subdued tension, "There was $250,000 in cash lining the walls of the Banana Stand." You know, it's scenes like this that have me hooked on the TV show Arrested Development. There's something strangely heart-warming about an ecclectic family with wide-ranging personalities and incestual interests. Sibling competition, forbidden love, parental screw-ups...hello Wes Anderson? The narration/filming and quirky family dynamics remind me of The Royal Tenenbaums (one of my favorite films), and even the photo above is corroboratory of this statement. The absurd recurring jokes and foreshadowing techniques are sufficiently subtle to pass as just another one of Hurwitz's eccentricities, but noticeable enough to play catch-and-connect, which, I have to say, makes a non-frequent TV viewer like myself quite proud. Dixon introduced me to the show and I'm surprised I've never heard of it before, especially since the seriocomic humor is just my cup of tea. Usually, I'm not the most avid watcher of TV shows, but with the Velvet Underground playing in the background as the Bluth family members find themselves in the most realistically unrealistic situations, this might be an exception.